A very stylish vintage Murano glass pendant light c 1970
A rare and small, late Regency dwarf bookcase with original grey marble & condition. The whole made from best fustic mahogany. The unusual boss decorated feet and lotus capital pilasters related to designs published by Regency Greek revivalist, Thomas Hope.
UK c 1825.
94cm wide x 30cm deep x 90cm high.
A good large Chinese export ware Kraak (cargo exported from China to Holland) dish, the body modelled in raised lambrequins of pineapples and fritallaries.
Perfect save for the usual rim flea bites and pitting.
Late Ming / early Qing c. 1573 – 1620 (Wanli).
372mm diameter x 62mm high.
Ex F Buxton Collection, London Art Market prior to 1970.
A very comfortable English William IV period faded mahogany library chair, with the old green leather nicely worn.
A French Empire clock in the finest original ormolu. The subject is that of Hope. She sits upon the clock housing leaning upon a cornucopia with a swan base with her other arm resting upon a beautifully modelled anchor set upon a shell. The flukes of the anchor are decorated with a cupid. To the right of the clock a superbly decorated paddle with dolphins and shells rests against the clock. Set upon richly decorated toupee feet the rectangular base with stiff leaf moulding has applied ormolu mounts of the finest quality with two superb beribboned anchors hanging by garlands of flowers supported by floral stands. The white convex enamel dial signed Deniere and Matelin Fabr. de Bronzes a Paris is surrounded by a superb bezel of forget-me-not flower heads.The half hour 8 day bell striking movement with silk suspended pendulum. Hope in the Greek myths was the spirit remaining in the bottom of Pandora’s box after she had incautiously opened the box and let her other blessings escape. Hope with Faith and Charity is one of the three theological virtues.The anchor derives from St. Paul who said Hope ” is like an anchor for our lives”. She is connected with sea-faring and commerce as ocean voyages were undertaken in a spirit of hope. Thus there is the allusion through the anchor, paddle and shells. Finally the corcucopia and plethora of flowers for she is the Hope of the fruit to come, see Titians 16th century masterpiece “Allegory of the Marquis d’Avalos ( Louvre). Deniere and Matelin were known to have been working at Rue Turenne Paris in 1812. 17 inches high by 11.5 inches wide by 4.25 inches deep ( 42.5 cms by 28.75 cms by 10.6 cms).
An elegant, Australian cedar vernacular Grecian chaise.
Hobart c 1835 – 40.
Nice original waxed finish and faded colour.
It has no evidence of ever having been fitted with casters.
Length 2.1m x 62cm deep 77cm high